Together at last and with no secrets left untold, the cop and the enigmatic damsel dissect their entanglement. Just as poignant is Fasanaro’s turn, which requires the young actor to convincingly alternate between the two identities that inhabit the same body. An arm cast from the outburst that got him in trouble accompanies him on the treacherous road to accountability like a shackle anchoring him to the man he doesn’t want to be. His muscular body and rugged facial features contrast with the nuanced expressiveness of his eyes as he plays a first conflicted, then confused Daniel. Saboia (previously seen in “Bacurau”) is a magnetic leading man deserving of wider international exposure. Buoyed by two superb performances, writer-director Aly Muritiba’s tenderly electrifying new feature is part sensual queer romance and part moving character study. Meeting Daniel in person could derail their relationship and put her at risk. The young woman, Sara (Pedro Fasanaro), leads a secret double life in a conservative religious town. Because moviegoing carries risks during this time, we remind readers to follow health and safety guidelines as outlined by the CDC and local health officials. The Times is committed to reviewing theatrical film releases during the COVID-19 pandemic.
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